Wild Greens
Volume 5, Issue vi
Oops-a-Daisy
Wild Greens 5, no. 6 (April 2025)
Oops-a-Daisy
Welcome to the April 2025 issue of Wild Greens
Our April issue is all about how making mistakes can be, well, fun! *Shrug* — “Oops-a-Daisy!”
We open with Kathryn Pauline’s watercolors, “camp coffee,” which show how the first step of making beautiful paintings is to try. Pat Severin’s poem, “I've Fallen & I Can't Get Up” pokes fun at the lie we tell ourselves: we’ll never get old! Melissa Lomax’s digital drawing “Oops-a-Doozy” portrays a classic morning mistake.
In Carol Barrett’s poem, “Time Warp with Trains,” a parent reflects on the passing of time. “My Best Friends,” a linocut print by Grace Clark, considers another beloved family member: her cat! Lynne Marie Rosenberg’s drawing in graphite “One Wrong Move” depicts the burden of holding on to perfectionism.
In “What Am I Bid?” a humorous piece of short fiction by Jo Gatenby, a couple on a budget accidentally overbids at an auction. Melissa Lomax’s watercolor, graphite, and ink “Splotch Doggy” turns an oops into a work of art.
To close the issue, Maggie Topel’s digital logo, “Oops-a-Daisy” depicts the most painful oops of all— dropping and breaking your phone. Note the daisies’ roots growing out of the broken phone in her logo: sometimes mistakes bring new chapters.
As I publish this, I hope I spelled everyone’s name right. And if I made a mistake, well, we’re all out here doing our best. I hope I remembered to cross all of my i’s and dot my t’s. Or is it the other way around? Oops-a-Daisy!
-Rebecca
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camp coffee
by Kathryn Pauline
Watercolor, cotton paper
Inspiration: I recently realized I went my whole life saying "I can't draw or paint" simply because I had never actually tried to do it.
The painting with the white background is my first attempt at painting a reference photo (which I took while camping). Since it was my first attempt, there are lots of perspective oops-a-daisies, I didn't attempt a background because I was too afraid, and the size of the objects doesn't really match up with reality.
I retried it and made lots of improvements on the perspective issues, but I ended up disappointed with the color-mixing on the second one and there is not enough range of values.
Overall, there are so many mistakes in both the original and the retry. But I am just so excited to keep growing and learning, which will involve many more mistakes.
I've Fallen & I Can't Get Up
"I've fallen and I can't get up!"We've laughed at that commercial'cause poking fun at aging, well,those laughs are universal."Can't find my keys, where did I park?""What was I going to say...?Old people are hilariousuntil time goes astray
and suddenly you find yourselfbefuddled and forgetting.The simplest things are difficult,to say the least, upsetting.
As time creeps up and, boy, it creepsyou simply can’t erase itand though you wish control was yours,it’s not, you’ve got to face it.
In fact I’d say, it's there to stay.You simply have to own it.Controls not yours, it’s not your fault,and, no, you haven't blown it.
The point is that we all grow old.We do, and that's the truth.Though we may wish to turn back time,we can't rekindle youth.
The clock of life keeps tickingand with every tick we age.Yes, some do it more gracefully,but all will reach that stage.
It used to be so easy watching things old people doand laughing till that one day whenyou wake up and it’s YOU!
by Pat Severin
Oops-a-Doozy
by Melissa Lomax
Digital drawing & color
Inspiration: If you're someone who loves a morning coffee, you may relate to the “seriousness” of this situation (wink)! Hey, we all make mistakes but being able to laugh at yourself is truly a great feeling. Moreover, knowing that I will also get a comic story from an everyday error, is the very best!
Time Warp with Trains
How could Ihave rung while you were sleepingon this your24th birthday, when sleep was all
you needed. Sorry honey, I misjudged the time,
workingan hour forward, instead of backward.
My only excuse:you came into this world early, six weeks
beforethe nursery was ready, little red trains
on the windows, crib, even the changing table, light switch.
Forgive me.I am just so glad you are here.
by Carol Barrett
My Best Friends
by Grace Clark
Linocut print
Inspiration: As a primarily watercolor artist, printmaking is a very fun medium for me to play with because it is truly all about embracing your mistakes! With a linocut, once you carve a line you cannot go back, so it has taught me to not worry about making mistakes because they are guaranteed to happen. I'm sure this print is full of "oopses" but that's what gives it character and charm! In my opinion, the best art is when the viewer can tell that it was made by a human hand, so I have learned to accept any imperfections in my artwork.
One Wrong Move
by Lynne Marie Rosenberg
Graphite
Inspiration: This piece is about the burden and anguish of perfectionism. It is for anyone who has thought, at any time in their life, that mistakes meant abandonment.
What Am I Bid?
by Jo Gatenby
Some days, it feels like the universe is just waiting for you to make a mistake.
Bill and I had just moved into our first apartment, and after days of scouring thrift stores and online listings, we’d decided to try an auction. Our goal was to score some cheap furniture—maybe a coffee table, an old bookshelf. Or, if we were really lucky, a dining room set.
Our budget was tight—we needed to pay rent and still afford food this month.
Walking into the cavernous auction hall, I felt a bit like a tourist in a foreign land. It was larger than I’d expected, dimly lit, filled with rows of antique furniture, vintage rugs, and stacks of oddities. The air hummed with whispered conversations and the echo of footsteps on the cold concrete floor.
After picking up our numbered paddle, we browsed with everyone else, making note of lot numbers for items we thought we could afford.
At some unseen signal, everyone moved toward the chairs, and Bill and I followed the crowd to our seats. The auctioneer, a man in a well-worn suit, stood waiting at the podium.
“Ladies and gentlemen,” he boomed, “we’re going to begin with a truly special item. A one-of-a-kind piece, rare and magnificent, from the estate of a renowned European art collector. Let’s start the bidding at $5,000. What am I bid?”
Bill and I exchanged a glance.
Five thousand for that? My eyes darted to the platform, and I was immediately struck by the glint of gold—an ornate mirror, framed in intricate carvings. It would look out of place in our tiny apartment, but it was undeniably impressive.
“I have five thousand. Do I hear six?”
“Seventy-five hundred,” an older woman in the front row called out, raising her paddle.
“Ten thousand.”
The crowd murmured as someone in the back raised her bid. She glanced over her shoulder in annoyance, then tapped her paddle in the air. “Twelve…”
Bill leaned forward, clearly impressed by the climbing price. “Crazy,” he muttered under his breath. “I wonder who would spend that kind of money on something like that.”
“I don’t know,” I whispered back, still trying to wrap my head around the numbers. “It’s just a mirror…”
“Fifteen!” The answer shot back before she’d lowered her hand.
I couldn’t believe it. “Who’s bidding?”
Bill jerked his head at a distinguished-looking man sitting a short distance away. “That guy. Maybe he’s a collector, too.” He shook his head. “Who needs a mirror this badly?”
I strained to see over the people between us. With his grey hair, gold-rimmed glasses, and tailored suit, he stood out among this casual jeans-and-tees crowd.
But Bill was losing interest in the bidding war. His eyes swept past the stage, scanning the other items being lined up to go onto the platform. He sat up straighter. “Hey look,” he pointed toward a table and chairs being stacked there. “That’s just the kind of thing we’re looking for.”
“Eighteen thousand in the back.”
The distinguished gentleman turned to glare at us. I shrank back, wondering what we’d done wrong, a flush of embarrassment creeping up my neck.
Then I saw the paddle, clutched in Bill’s pointing hand, and panic jolted through me. My pulse started pounding, dread twisting in my gut. Please don’t let this be happening!
“Do I hear nineteen?”
For a moment I couldn’t breathe, then I hissed, “You just bid on it!”
“I did not!” He stared at me, horrified.
“Yes, you did—put that thing down!”
We stared at each other, Bill’s eyes mirroring my alarm.
This is terrible. We don’t have that kind of money. We barely scraped together the $300 we planned to spend tonight.
“Going once…”
If we can’t make the rent, we’ll be kicked out. I could already see the disappointment in my parents’ eyes if we asked to move in with them… feel the shame of admitting we’d lost our first apartment over a mirror…
“Going twice…”
Bill held the paddle on his lap. I reached over, and we clasped hands so tightly, our knuckles turned white.
“Nineteen thousand on the left…”
We exhaled, deflating in relieved unison. The auctioneer moved on as we sat frozen, afraid to twitch, while the two remaining combatants fought it out.
“Twenty-five thousand…Sold!”
Polite applause rippled through the room. We didn’t even look to see who won as we sagged in our seats.
“Well, that was close. Think we can still get that dining room set without buying anything crazy?” I whispered, my laugh as shaky as my hands.
Bill patted the paddle, pressed firmly against his leg, and raised an eyebrow. “If not, you can explain it to the landlord.”
Some days, the universe is just waiting for you to make a mistake.
And other days, it lets you walk away with a warning.
Splotch Doggy
by Melissa Lomax
Watercolor, white ink, graphite
Inspiration: Over the years I have been slowly letting go of trying to make my artwork look “too perfect.” Realizing that true perfection is an impossible goal and honestly, not very much fun. Learning how to embrace the beautiful imperfections of art and life has been rewarding in so many ways... and sometimes, the “little oops” can be the best part of creating!
Wild Greens: Oops-a-Daisy (April 2025)
by Maggie Topel
Digital drawing
Inspiration: Of course I used daisies, and I incorporated the biggest oopsy I could think of - dropping and breaking a phone! I also included the daisies' roots growing out of the phone, to represent hope for a new chapter, even when something goes horribly wrong!
If you like the issue, you can donate to Wild Greens through our Ko-fi page!
Artists and Contributors
Kathryn Pauline
Artist
Kathryn Pauline is a cookbook author and lecturer living in Hong Kong. She likes to watercolor, play guitar, sing, befriend the neighborhood cats, and read fiction in her free time.
Pat Severin
Poet
A retired school teacher, Pat has been writing and sharing her poetry for many years and is grateful to be published in Wild Greens. Many of her poems have been published in the Agape Review, The Clay Jar Review, The Way Back 2 Ourselves, Heart of Flesh Journal, Pure in Heart Stories, Vessels of Light, Words of the Lamb and many Southern Arizona Anthologies. She has also been a contributor to these three books, Chicken Soup for the Soul, I Chose You, and Love Wags a Tail.
Melissa Lomax
Artist
Melissa Lomax (she/her) is a freelance illustrator, writer, and cartoonist, with 20 years of experience in the creative industry. Some of her clients include American Greetings, Sellers Publishing, Great Arrow Graphics, Lenox Corporation, and Highlights for Children. Her comic 'Doodle Town' posts on GoComics.com, the largest catalog of syndicated cartoons and comics. When she is not in the art studio, she enjoys spending time in nature, drinking really good coffee, and 'everyday adventures' with her husband. Pop by her Instagram @melissalomaxart for weekly inspiration!
Carol Barrett
Poet
Carol Barrett has published three volumes of poetry, most recently READING WIND, and one of creative nonfiction, PANSIES. An NEA Fellow in Poetry, Carol has lived in nine states and in England. She currently supervises creative dissertation students at both Antioch and Saybrook Universities.
Grace Clark
Artist
Grace Clark (she/her) is an artist from Pennsylvania who received her illustration degree from Arcadia University in May 2024. She focuses on creating whimsical watercolor illustrations featuring animals and nature subjects and loves to add a touch of humor to all of her work.
Lynne Marie Rosenberg
Artist
Lynne Marie Rosenberg is a visual artist, writer, educator, and TV presenter based in Brooklyn, NY. She is the creator and host of the three-time Emmy-nominated television show, Famous Cast Words, on the PBS-affiliate network, ALL ARTS. She is currently on faculty at NYU Tisch in the Playwrights Horizons Theater School studio, is a creative practice research fellow at Maynooth University in Ireland, and is a long time volunteer at The 52nd Street Project, a nonprofit organization serving youth in Hell’s Kitchen.
Jo Gatenby
Author
Jo Gatenby writes whatever the voices shouting in her head tell her to. She has published flash and micro-fiction, and several children’s books. Her first fantasy novel is due to be released in September. Thanks to her grandmother, she is Algonquin, of the Pikwakanagan First Nation, in Canada. Check out her website and receive a free story when you join her reader’s club at www.jo-gatenby-books.com.
Maggie Topel
Artist
Maggie Topel (she/her) is an artist and writer living in Philadelphia. She designs our seasonal Wild Greens logos and social media avatar.
Tim Brey
Music Editor
Tim Brey (he/him) is a jazz pianist living in Philadelphia. He holds positions as Artist-in-Residence and Adjunct Faculty at Temple University and The University of the Arts, where he teaches jazz piano, music theory, and improvisation. Check out more of his music and his performance schedule at https://www.timbreymusic.com.
Jessica Doble
Poetry Editor
Jessica Doble (she/her) holds a PhD in English from the University of Louisiana at Lafayette. She's published two critical works: “Hope in the Apocalypse: Narrative Perspective as Negotiation of Structural Crises in Salvage the Bones” in Xavier Review, and “Two-Sides of the Same Witchy Coin: Re-examining Belief in Witches through Jeannette Winterson’s The Daylight Gate” in All About Monsters. Her poetry has appeared in PubLab and Wild Greens magazine.
Myra Chappius
Poetry Editor and Copyeditor
Myra Chappius (she/her) is the author of six works of fiction and poetry. While her passion lies with shorter creations, it is her aspiration to complete a full-length novel and screenplay someday. She enjoys reading, running, cinema, music, and seeing the world. When not doing mom things, she is working full-time, learning a new language, and planning her next trip.
You can follow Myra on Instagram at @inwordform. Her work can be purchased on Amazon.
Jacqueline Ruvalcaba
Senior Editor
Jacqueline (she/her) edits fiction and nonfiction as the senior editor for Wild Greens magazine. She earned her BA in English and creative writing at the University of California, Riverside, and completed training as a 2021 publishing fellow with the Los Angeles Review of Books. She previously served as a co-editor for PubLab, editor for UCR's Mosaic Art and Literary Journal, and as an intern with Soho Press. In her free time, she loves to read all kinds of stories, including YA, literary fiction, sci-fi, and fantasy.
Hayley Boyle
Arts Editor
Hayley (she/her) creates the cover image for every issue of Wild Greens and serves as the Arts Editor. Hayley is a social justice seeker, world traveler, rock climber, dog snuggler, frisbee player, event planner, and storyteller. She loves to paint with watercolors, embroider, and write. She grew up reading sci-fi and fantasy, and, to this day, she still turns to those genres to help her make sense of the world. She calls Philadelphia home where she lives with her husband Evan and dog Birdie, and she wouldn't have it any other way. You can find Hayley on Instagram @hayley3390.
Rebecca Lipperini
Editor-in-chief
Rebecca Lipperini (she/her) is a writer, teacher, and academic living in Philadelphia, and the founding editor of Wild Greens magazine. She holds a PhD in English from Rutgers University, where she taught all kinds of classes on literature and poetry and writing, and wrote all kinds of papers on the same. Her essay on the soothing aesthetics of the supermarket was recently published in PubLab. She teaches in the Critical Writing Program at the University of Pennsylvania.
You can find Rebecca on Instagram @rebeccalipperini (personal) @wildgreensmag (you already know it).